[Because Tumblr is being difficult, and I don’t know if this response was ever sent properly, or not.]
Anon Ask: Cory, I’m new to the world of graphic design and don’t know pricing for illustrations, both sketch and color. Is it an hourly or flat rate and how is it assessed. Thanks, L.T. in Alb.
Hello L.T.,
If this is in regards to requesting work from me- I would say that I do a flat rate based on the project, in which we would go over the parameters of what you are looking for, in which case- you can email me at corykoomoa@gmail.com.
However, if this is just a general question from one artist to another, I usually go by the guidelines of the “Graphic Artists Guild Handbook for Pricing & Ethical Guidelines 12th Ed.” which give tons of insightful looks at setting up contracts, to invoices, to knowing such things as pricing based on project, hours, size, or what-have-you. I myself have a contract based around these guidelines. However, I slightly alter it because of the amount of work and revisions that I give my clients, I aim to please and so I base it on different parameters.
I hope this helped,
Cheers.
“Listening”. 2013. Digital. Lineart. WIP.
While I was still up, here is destiel fanart no.2… cheers.
“Watching”. 2013. Digital. Lineart. WIP
I don’t often do fanart, but I’ve been excited about maybe having a spot on a Destiel Calendar, and so wanted to practice. Yes this is my first time EVER drawing Destiel (or either Cas or Dean), so please be kind. Also… this is just lineart, because I’m good like that.
Threadless Submissions
Joi Ito of MIT Media Lab:
Ito: There are nine or so principles to work in a world like this:
1. Resilience instead of strength, which means you want to yield and allow failure and you bounce back instead of trying to resist failure.
2. You pull instead of push. That means you pull the resources from the network as you need them, as opposed to centrally stocking them and controlling them.
3. You want to take risk instead of focusing on safety.
4. You want to focus on the system instead of objects.
5. You want to have good compasses not maps.
6. You want to work on practice instead of theory. Because sometimes you don’t why it works, but what is important is that it is working, not that you have some theory around it.
7. It disobedience instead of compliance. You don’t get a Nobel Prize for doing what you are told. Too much of school is about obedience, we should really be celebrating disobedience.
8. It’s the crowd instead of experts.
9. It’s a focus on learning instead of education.
We’re still working on it, but that is where our thinking is headed.
Vote for it Here: http://thrdl.es/~/Jkm
I adored Wreck-It Ralph- so why not a shirt to go with that joy? When Ralph first gets to Sugar Rush, who doesn’t love his “non-hobo job”. Now we all can be part of the Candytree Department- let’s go do our routine candytree trimming!
Neil Gaiman
“So I guess this is it, isn’t it? There are no more chapters, right? You said we were getting close and that was a while ago.”
I stared up into the sky, it was the same old sky there had always been, except for some rainclouds that hadn’t been there a few minutes ago. It wasn’t raining, but they were still floating up there, grey and dismal.
You begin to ask me something.
“Don’t ask me how I know, I just do. Things just feel really final right now, like the downward slope is starting to level out. Eventually… We’ll hit the back cover, right?”I sat down on a bench- had that been there a few minutes ago? It was hard to tell.
“Did you say yes? I think I heard you. Your voice keeps getting harder to hear.”
Thunder rumbled, but… It wasn’t like the thunder I’m used to. It sounded like you, and it sounded sad. From one of the clouds, a single drop of rain fell on the grainy wood of the bench.
“… You’re crying, aren’t you? I’m sorry, I’m really sorry. I wish I could change this. I wish I could reach where you are.”
Thunder rolled again, and behind it was a voice. Your voice.
“Me? I’ll be fine, I think. I don’t know if this has ever happened before. I don’t really know what happens when you… close the book.”
You ask me if I’m afraid.
And oddly, I’m not.
“No, actually. Because… Whatever happens to me when you close the cover… You can always open the book up again, right?” and that’s when the answer hits me, the realization jolting me to stand again. “That’s it, isn’t it? You can open it back up. The words won’t change, but I’ll still be here. You can meet me all over again, and I can meet you, and everything we have will come back.”
It’s raining now, and the clouds have merged together, and in them, for the first time… I see you.
You are the most beautiful person I have ever seen in my entire life.
You’re crying, but it’s quiet, and maybe that was the sound of your tears hitting paper.
I realize that we don’t have a lot of time.
“Listen- before it’s all over- I want you to know that everything, all of this… Even being over, it was worth it. It was worth it to meet you, to get to know you. Even if when you close that cover and I disappear- it was all worth it. I love you.”
You love me too, I know it, I can feel it, just like for a moment I can feel what it would be like to hold your hand.
There is a very long pause, and I realize you’re prolonging what has to happen.
“You can do it.”
For the first time, you have to be the hero. You have to close the book so we can keep going. And I believe in you.
The sky gets darker, slowly, but then it gets light again, and your face is still up in those clouds. You open your mouth and for the first time I HEAR you, not just feel what you’re saying or understand you in my own head, your voice comes through the pages in your world and into the reality of mine, and it reverberates and I can hear every little nuance, down to the hitch from you crying.
“I’ll never forget you,” you say. “I’ll come back soon.”
The end.